The mix covers the entire audible sound spectrum in a balanced manner.The instruments cover both the entire left-to-right and front-to-back space.The instruments don’t mask each other in terms of frequency content – they can be picked up individually.The instruments don’t fight each other for loudness – they are well balanced in terms of volume.There are a number of key elements required to craft a quality mix: The alternative, however, is creating a high-quality production by contributing from the get-go as the artist, where every element has been created with that “mixing mindset” during the first few creation stages. While some things can be fixed in post-production mixing, it’s key to remember that trying to “save” a mix can lead to the creation of a far less superior mix. This widespread misconception also has a saying: “we will fix it in the mix”. With that, they may also think “mistakes” – or, let’s say “compromises” – in the production stage could be saved in the mixing process. Novice producers may look at this list and think production is a different thought process and mindset than mixing. Recording (or “producing” in electronic genres).These stages are traditionally categorized more or less like this: While music production is an art form, it usually involves pre-set stages as with any other production process. Back to basics: the stages of track production We’ll be exploring what those decisions are, and how each can directly affect the final mixdown.īut first, let’s start by taking a look at the process of music production at a high level. The mindset of “mixing during production” refers to being aware that each and every production decision you make, both big and small, actually has a significant impact on the mixed song. To be clear, though: this does not mean that you need to be a mixing engineer as well as a producer – but rather considering how your production process can assist their post-production work. Today, we’re diving into why it’s important for an artist to get into the mindset of “mixing” while creating a track. Here’s what “mixing while producing” is – and what it’s not Rather, what I am suggesting is that as the producer should help the upcoming mixing stage by eliminating possible issues as you do the production. With this view in mind, we can safely say that an artist “helping the mix” during production does ultimately have a positive impact on the final mix.īeware, though – I’m not suggesting that you mix and produce at the same time, or try to do a mixing engineer’s job while producing. You may think that mixing adds a certain percentage of value to what they get. Although engineers have many tools to achieve this, it’s key to remember that mixing is not magic – and ultimately, the better the balance of the tracks they get from a producer at the start, the better results they can achieve. A mixing engineer’s job is to make productions sound both technically solid and artistically engaging for the listeners.

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